John Mark McMillan presents the “Mercury & Lightning Tour”
The Brilliance, LaPeer
Tue, November 14, 2017
Doors: 6:30 pm / Show: 7:30 pmDuling Hall
$15 advance, $20 at the door
This event is all ages
Doors open at 6:30pm, show at 7:30pm.
Tickets are $15 advance, $20 day of show. There will be a $5 upcharge for persons under 21.
Order tickets by phone at 877-987-6487.
VIP DOORS AT 5:30 P.M. / VIP EVENT AT 6:00 P.M.
**Show Presented in part by Capital City Beverages, Inc., Cathead Vodka, A2Z Printing & Find It In Fondren!https://dulinghall.ticketfly.com/event/1515562/
To create the genre-bending Borderland, McMillan returned to the studio in rural North Carolina where he created much of his first two albums. He and producer Elijah Mosely spent a year out in the woods, an hour outside McMillanʼs native Charlotte, patiently and intensely crafting an album that would do justice to the songs that McMillan brought to the table. Dispensing with much of the folk and the rock nʼ roll that informed his earlier work, McMillan opened up his palette to include deep grooves and arena-filling sounds. Drawing inspiration from the likes of Peter Gabriel, Simple Minds and 80’s era- Springsteen, McMillan and Mosley stripped the songs to their bare essence, building them back from the foundation one element at a time. As a result, every song exudes a kind of primal soul and raw swagger only matched by the studied strength of McMillan’s voice.
As for the songwriting, Borderland borders on the literary. Full of metaphors that twist around themselves and images and adjectives that are at once both literal and figurative, McMillan bends words to his own devices. Religious imagery is pressed into service to describe the mundane while the mundane is often elevated to the ecstatic. And like the Psalmists that McMillan reveres, the hardest questions are never avoided, but hit head on. “This album is about life between the crevices, about life on the verge,” songwriter McMillan slowly explains. “The literal concept of borderland is that itʼs that space in between spaces...we all walk these lines between work and family, passion and responsibility, art and commerce. We all feel these pressures—and itʼs where Iʼve been living as a person, as an artist and as a believer. I think Borderland speaks to my experience living in that thin space.”
McMillan’s album is indeed something rare—the sound of an artist staking a claim in the no-man’s land of contemporary life, intent on finding heaven there. Make no mistake, Borderland is the musical statement of a songwriter at the height of his powers; one who has made a career of rejecting easy categorization and defying expectations, and this album is certainly no different.
The two men have shared a brotherly bond since childhood when their fathers played in a wedding band together in the ’70s. Throughout college, they made music together in a variety of bands. When David began leading worship at Trinity Grace Church’s Tribeca Parish in New York City, he wanted to write original music for his congregation that followed the liturgical calendar, so he sent some ideas to Arndt, and a unique musical journey began as the two, along with an ensemble of musician friends, began recording under the moniker of The Brilliance. Inspired by neoclassical music, their sound is built on piano and string arrangements and rarely follows traditional pop form.
Their critically-acclaimed Integrity Music debut, Brother, was a peacemaking opus that introduced the duo’s eloquent use of minimalism in the vein of Sufjan Stevens and Philip Glass to an audience beyond their faithful legion of fans who followed them during their years as an independent band. The title track became an important anthem of unity, breaking down barriers between race, religion and socioeconomic status. Moreover, Worship Leader magazine named "Brother" their No. 1 album pick in 2015.
Now, with All Is Not Lost, The Brilliance hopes to continue the conversations they sparked with Brother, inviting listeners farther along on a journey toward peace.
His first fall EP, When Lands Are Golden, debuted in Oct. 2016. These six tracks were written simply - all on one guitar - then brought to life by producer Gabriel Wilson (Bethel, Kari Jobe, John Mark McMillan). With instrumentation from musicians Jesse Proctor (John Mark McMillan), Jason Barrows (Josh Garrels), Kendall Fowler, and Jeremy Larson (Sleeping at Last, Violents), the EP features thick 80’s synth pads, rich string arrangements, and effortless melodies. "Heart Haunting," the debut single, was recently added to the Starbucks "Coffeehouse" Spotify playlist and can be heard throughout Starbucks locations worldwide. LaPeer continued his EP series with In Blistering Cold on Feb. 24 featuring the single "Torchlight." Now fans can get the third installment titled To Brighter Dawns everywhere featuring the track "Men Without Lungs."
Fresh off the heels of a two-month tour with the Grammy-nominated artist Gungor, LaPeer will hit the road September through November with John Mark McMillan this fall.
622 Duling Ave
Jackson, MS, 39216